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Fashion Icon, Eniafe Momodu, Joins Berlin Contemporary Jury
By Eric Elezuo
The appointment of fast rising world’s fashion influencer, Eniafe Momodu, into the Berlin Contemporary Jury, did not come as a surprise to as many that know the charisma and talent the young fashion enthusiast is endowed it. This is coupled with the landmark achievements that have trailed him in the pursuit of his chosen profession.
Eniafe is widely regarded as one of the most respected young figures in African fashion, whose work spans creative direction, image making, editorial development, cultural research, and brand strategy.
Sired by one of world’s leading journalists, Aare Dele Momodu, arguably the most influential and famous DELE in Africa, Eniafe has completely carved a strong niche for himself, taking a deep dive into the world of self awareness.
From a very young age, Eniafe had exuded style, composure, elegance and the flair to ‘look good’ at all times. His signature large bourbon attires, that was privately original, created distinct visibility for the young man, who continually has success as his motivating slogan. And success he has achieved in such a brief 28 years period.
Fondly referred to as ‘My Twin’ by his dotting father, Eniafe has continued to not only uplift the Momodu brand, but continually project the image of Nigeria and Africa in the brightest of colours.
Eniafe’s appointment reflects his growing influence as a creative strategist, producer, photographer, writer, and cultural commentator whose work has helped shape contemporary conversations around African fashion and its global impact. Recognised by platforms like Vogue Magazine and ESSENCE as a leading voice in the industry, he has built a reputation for bridging fashion, culture, research, and storytelling across international markets.
“It’s been an incredible process serving on the jury,” said Momodu. “The jury selection this season includes designers from Asia, Europe, Africa and America. I think this really underscores the German Fashion Council’s commitment to celebrating design talents from all over the world.”
More so, his appointment places the Nigerian creative among the industry leaders responsible for selecting and supporting emerging fashion talent.
The programme, one of Europe’s leading fashion development initiatives, awarded €25,000 grants to 19 winning concepts this season. Among the selected designers were Nigerian brands Orange Culture and Fruché, alongside talents from Europe, Asia, Africa, and the Americas.
Momodu described the selection as a reflection of the German Fashion Council’s commitment to celebrating design talent from around the world, further highlighting the growing presence of African voices in global fashion decision-making.
A PEEP INTO DESCRIPTIONS OF ENIAFE MOMODU BY FASUION MEDIA
In January 2022, Vogue captured the growing influence of Eniafe Momodu, through its reporter, Vincent Desmond, in story titled: Eniafe Momodu’s Style Shows the Extravagance of Men’s Fashion in Nigeria, as follows:
There’s a changing of the guard in fashion and culture. Gen-Z creators are pushing the conversation forward in ways both awe-inspiring and audacious. Our latest project, Youthquake, invites you to discover how these artists, musicians, actors, designers, and models are radically reimagining the future.
Where elsewhere men may shy from colorful fabrics and oversized dramatic silhouettes, in Lagos, Nigeria, they wear them as a symbol of wealth and great personal style. Each fashion week, you’ll see these men dressed in their best eye-catching prints, dramatic arm details, and flowing bodices, determined to outshine everyone else on the street style scene. Among this group is Eniafe Momodu, standing out and dominating over the rest not just in height—he stands at a towering 6’6’’—but also with one of the best looks.
Within the last two years, Momodu, a graduate of the University of Leeds who currently works as a photographer, producer, and writer, has become one of Lagos’s most recognizable Gen-Z style icons with over 24,000 Instagram followers. Momodu has brought to life campaigns and productions for companies like Arise Fashion Week, Alara, and Ebony Life, and has also been a host for his own projects, like New World Brunch. His custom green aso-oke and gazar silk agbada from Fruche, which he wore to the last Lagos Fashion Week in November, was lauded by many publications, including Vogue, as one of the best looks from the event. To attend Lagos Is Burning, a ballroom-inspired party, he wore custom-made all-black robes, which, in his words, channeled “Andre Leon Talley, Billy Porter, and Dominique Jackson.”
“My style is often described as grand, larger-than-life, and reminiscent of André Leon Talley.” Eniafe Momodu says from Dubai. But that extravagance belies his core fashion philosophy. “My typical silhouette involves something long and free-flowing,” he says. “There’s a certain ease of movement that I try to convey through my style, which also speaks to my personality. I don’t subscribe to the belief that fashion is pain. Comfort can be very stylish. For me, what I wear isn’t really about how I look. I’m far more concerned with the message behind what I’m wearing. I always think deeply about what a garment says about me, but also what it says about culture, gender, sustainability, and other facets of our society.”
Despite being a fashion capital, Lagos stores offer limited options for plus-size customers, particularly from the ready-to-wear brands. Plus-size outfits are often double or triple the price for the same outfit in a smaller size. Momodu has often faced this struggle and instead relies on easily accessible tailors in Nigeria to create his custom wardrobe. It’s a process with less hassle, but still not ideal.
“I would not describe fashion in Lagos as particularly size inclusive,” Momodu says. “However, thanks to the prominent bespoke culture in Lagos, the ready-to-wear industry and its shortcomings do not have as totalitarian an influence on our clothing as they do in other parts of the world. People here regularly turn to the made-to-measure industry and employ local tailors to create clothing for special occasions like weddings, funerals, and birthdays, as well as for their day-to-day traditional attire.” The caftans that Momodu has become known for are mostly made-to-measure by his favorite tailor (the two have a collaborative relationship and Momodu will send fabrics to him). He describes the process as many Nigerians would: Tailors rarely stick to deadlines, but they always get the job done well.
The easy access to tailors and bespoke fashion isn’t the only thing Momodu is grateful for as a stylish man living in Lagos. He considers himself lucky to have access to the culture and history that surround him in Lagos. The creative scene and the never-ending supply of fashion inspiration fuel his storytelling as a creator.
“In Lagos, we are privileged to have access to such a rich and vibrant cultural history. As a creative, you can find inspiration everywhere you look,” Momodu says. “When it comes to prints, patterns, textiles, and color combinations, we have centuries worth of references to choose from. At its core, Nigeria is a melting pot of different cultures and influences, so local designers and artisans can draw from aspects of Nigerian culture without becoming homogenous.”
In August 2025, prestigious lifestyle and fashion magazine, ESSENCE, through Ugonnaora Owoh, wrote the following on an encounter with Eniafe Momodu with the topic, How One Of Nigeria’s Most Influential Style Icons Eniafe Momodu Is Crafting His Own Style Legacy
When I finally catch up with Eniafe Momodu, it’s in person at the Nordic Hotel in the middle of Lagos’ bustling suburbs, which Momodu has been calling home for the past week while working on some projects. Our conversation commences as we share thoughts on the recent Met Gala. He lights up as we unpack and undress this year’s theme, “Superfine: Tailoring Black Style.” It’s a lighthearted conversation, but he speaks with the clarity and authority that you would expect from Nigeria’s most prolific cultural dandy.
Momodu, a producer, photographer, writer, and entrepreneur is one of the most notable, young forces in African fashion. At just 27 years old, his creative repertoire is impressive. Born in London to a journalist father and an accountant mother, he describes his childhood as ridden with the characteristics of a multi-hyphenate. He was a precocious child whose earliest memories were shaped by his love of music and literature.
Momodu’s eccentric style has propelled his status as one of Lagos’ highly stylish individuals. Characterized by colorful garments and long-flowing silhouettes, his signature style has been replicated by many. Growing up tall and large, fashion to him was originally about concealment. His mother would dress him in clothes aimed at making him blend in and stand out as little as possible. The global pandemic and subsequent #EndSARS protests spurred his return to Lagos (having left at 16 to complete his studies in the UK), which led him to craft a new style identity.
At 11, he tells me he stumbled across an old digital camera, which instantly sparked a long-term relationship with photography and filmmaking. Throughout his early teens, he would capture candid moments of his family and friends at school. At 14, advised by a cousin to pursue photography more seriously, Eniafe approached his dad asking if he could buy him a professional camera. “I was lucky to be a second-generation creative,” he says. “My dad always encouraged my creative interests, but he was also a stubborn believer in academia.” Momudu explains that when he asked his father if he could buy a professional camera he declared he would if he received all A’s on his next report card. He notes that he doesn’t recall ever studying harder–however, he ended up receiving all A’s–and his camera was gifted by his father several weeks later.
That Nikon DSLR camera ushered in a new era for a young Eniafe, who quickly adopted photo-sharing apps like Instagram and Tumblr, becoming his secondary school’s de facto student photographer and yearbook editor shortly after. When Venus and Serena Williams visited Lagos in 2012 and hosted an inter-school tennis tournament, he was the youngest photographer granted access to document the showdown.
“I was able to see that there was a real power in photography. Being able to document specific moments, whether they were intimate or big, and seeing the joy in people’s faces as they relive moments you’ve captured. Not to mention the access it gives you. This was before everyone was a photographer and could take high-quality pictures from their phones. It was a superpower back then,” he tells ESSENCE.
Eniafe’s image continues to loom large, and it can be imagined how much more of a great achievement he is poised to bring to the table in the coming years.
A hearty congratulations to the fashion icon!
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Source: Nigeria News
